Delay and Reverb Time Calculator
Enter a tempo to get the delay time for every note value — straight, dotted and triplet — in milliseconds and in Hz, with reverb pre-delay and decay times that fit the tempo below. The tempo starts from your last reading on the BPM counter.
Delay times
| Note | Straight | Dotted | Triplet |
|---|---|---|---|
| Whole note (1 bar) | — | — | — |
| Half note | — | — | — |
| Quarter note | — | — | — |
| Eighth note | — | — | — |
| Sixteenth note | — | — | — |
| 32nd note | — | — | — |
| 64th note | — | — | — |
Reverb times
A tail that fills the note and stops, after a 64th-note pre-delay that keeps the dry attack clear. A starting point: tune it by ear.
| Reverb length | Pre-delay | Decay | Total |
|---|---|---|---|
| Quarter note | — | — | — |
| Half note | — | — | — |
| One bar | — | — | — |
| Two bars | — | — | — |
Why time a delay to the tempo?
Echoes that land on the grid sit inside the groove instead of smearing it. A quarter-note delay repeats on the beat, an eighth note twice as often, and a dotted eighth gives the galloping repeat that falls between the beats. Most delay plugins have a sync switch, but hardware, older plugins and many reverb pre-delays only take milliseconds — that’s what this table is for.
Dotted and triplet notes
A dotted note is half as long again as the plain note, so a dotted eighth is ¾ of a beat. A triplet fits three notes in the space of two, so a triplet eighth is a third of a beat. At 120 BPM a beat is 500 ms, a dotted eighth 375 ms and a triplet eighth 166.7 ms.
Hz for LFOs and modulation
The Hz under each time is the same note value as a rate: how many times a second it repeats. Use it to sync a tremolo, auto-pan, chorus or filter LFO that only takes Hz. For rates down to four bars, see the BPM to ms and Hz converter.
Producer tools
- BPM ↔ ms ↔ Hz converter — beat length and LFO sync rates
- Tempo change & pitch calculator — % speed, new BPM and semitones
- Running cadence → song BPM — music that matches your steps
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